Guitar and Bass Setups (never over-tighten anything!)
Guitars: On vibrato (tremolo) type bridges, restring one string at a time. This helps to keep the guitar in fairly stable tuning. Use lemon oil or similar and a clean rag on fretboards to clean off the dirt and polish the frets.
Tuners such as Fender with the slot at the top of the peg, first bend a 90 degree angle into the string (about 3 inches beyond the high E peg and 2" for the low E) then cut off about 3/4" beyond that bend. This bend helps to prevent the string outer wrapping to become unraveled, which can work its way down the string and cause intonation errors, loss of sustain, buzz and sound changes. Insert bend into slot and wind.
If using Sperzels, or other locking tuners, do not pull tight. Simply insert and push gently while locking down. Only about 1/2 a wrap is needed.
Single hole only tuners: insert the string (observe the 3" and 2" rule) and bring it back around 1/2 way and bring up from under the string, so that as it tunes up the string tightens over the end brought thru (Martin Guitars recommendation and one of my favorites).Basses: Same as guitars but add about an inch overall due to the wider tuner posts. The pre cut bend is more critical with these strings as an unwrapping bass string sounds quite abnormal not to mention an expensive re-do.
Saddle height: Keep these oiled occasionally. Use the proper tools like hex wrenches or jewelers screwdrivers.
Tuners: Make sure they are tightened and oiled.
String Nuts: A string can bind in a dirty or improperly filed nut. Quick trick for strings binding at the nut: Pull strng back and forth in the slot a few times. Clean the slot with some floss, and then scrape a little pencil lead into it. Otherwsie purchase a set of nut files and do it like a professional.
Intonation: The actual length of the open string. The saddles adjust back and forth for this. A simple setting would be to play the string open and use a good electronic tuner to tune it. Then play it again at the 12th fret. If it is too sharp, pull the saddle back (increasing the length of the string) until it plays the same note both open and at the 12th fret using the tuner. Check again at the 17th fret. Be aware of magnetic pull from the pickups and eliminate it by lowering them.
Some single coil pickups are "reverse wound". This means they will mix with another compatible pickup and cancel hum.
Controls: If crackly: clean with control or tuner cleaner found at Radio Shack or Stewart MacDonald. Make sure the can says "Safe On Plastics". Careful not to inhale.
Normally the bridge is connected to the ground. Check this with an ohmmeter.
___________1____________
(1/R1)+(1/R2)+(1/R3)...
<!The formula that states you
can multiply the impedances and
divide by their sum only works
for two spkrs!>
Speakers inside a cabinet can be hooked in SERIES by connecting each one in a daisy-chain (terminal of one spkr. to terminal of next). This is simply additive, e.g.: two 8 ohm spkrs. will add to 16 ohms. A 4-12 cab usually has a pair hooked in parallel and then those hooked in series with the second set which is also hooked in parallel. If they were all 8 ohm spkrs. then the total would be 8 ohms (the two in parallel becomes 4 ohms and two of those pairs in series adds to 8 ohms.).
When removing power tubes to "brown" down the power, one must not only be sure to remove the two outside tubes in a four tube configuration (such as Fender Twin) but also to half the speaker load. For example: you remove the two outside tubes in a Marshall head, then take the normal speaker requirement (eg; 16 ohm tap) and plug in the equivalent of half that (eg; 8 ohm load).
In PA applications it is generally better to use an amp that is rated more powerful than the speaker is rated because when a solid state amp distorts unnaturally it produces DC current which burns up any voice coil, and more powerful amps tend to remain clean while speaker is brought to its full power rating. A distorted speaker is easy to hear and can be caught before it burns or rips up, but a distorted power amp will burn up a speaker very quickly. Pre amp distortion is a different animal and is not considered to be near as harmful as power amp distortion.
Hope you have found this info useful. Consider it a gift; a jewel in the muddy pond of life, where avarice, greed, and profit are oftimes prime motivators. Pass the good word on...
Back to: HG
Thor Guitar Lab | Woodwiz | Music
Copyright
© 2008 Harris G. Thor