HG Thor Epoxy Fretless Pricing:

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          Accepting necks for epoxy mods on a limited basis at this time. Updated March 2023:

  • Four string fretless necks sending neck only: $600; sending whole bass w/ setup: $800
  • Four string fretted necks sending neck only: $700; sending whole bass w/ setup: $900

    Issues that arise upon examination may incur extra charges.

    *A setup includes restringing, intonation, truss rod, saddle height, pickup height, lube tuners and saddles, clean electronics and check for loose parts. Electronic rework and customization is available.

    NOTE: PRICING SUBJECT TO CHANGE AT ANY TIME.

    HOW IS THIS EPOXY DONE AND WHAT BRAND DO I USE? I get asked this often. Officially I must remain silent on this issue. It is very easy to badly damage a bass with both tooling and epoxy, and working with chemicals can be dangerous to your health. Either of those issues are very good reasons to distance myself from any responsibility that may result from offering advice. There are a number of processes and unusual pricey tooling that are employed that would challenge an experienced luthier let alone a do-it-yourself-er, and it has taken me many years to perfect this process.  Sorry! :-)

    How to buy

Special Notes :

   Natural bone nut


holoflake ID        holoflake

  Email

HOW TO BUY THIS SERVICE:

There is only one person here doing this custom work- me! Due to the overwhelming response for this service, I have been swamped with requests. Currently, the next available opening is approximately 12+ years. Please give me your full contact info and I will be glad to add you to the list (no commitment on your part). Thank you for your patience. Please refer to the above pricing schedule for a general estimate. Details may be discussed when contacting me to ensure your position on the list.
Thank you!

HG Thor Guitar Lab of Vestal, NY is a full service authorized service center for many major name brand musical instruments.

BTW; Send me your Jaco story if you have one! -HG THOR

In 1982, I had the great pleasure to meet Jaco Pastorius and his Word Of Mouth band members at a practise space in Manhattan. I was there making a recording with some NYC friends. After about an hour of recording I took a cigarette break in the outer hall. There across from me was the seated and sunlit orange haired head of Jaco himself and his mates standing around him. Nervously I approached him and said: "Hi. You're Jaco right?" (duh...) He says: "Yah man" with great big smile only Jaco could muster,and he introduced me to his band members. He said they were bone-ing up for the Blue Note gig that night. I nodded in approval with an awestruck smile only I could muster. Then he said in a very earnest and interested way, eyes beaming at me: "So what do you play?" After recovering from the momentary shock of having one of the greatest musicians on the planet ask me that, I said that I play guitar, with a humble "its nothing" inflection. Quickly changing the subject, I told him that I "really dug" his work with Weather Report and Joni. He simply smiled and nodded. There was one of those short awkward moments of silence when you are standing face to face with a legend that seems like an eternity, and I took that opportunity to say "Great meeting you" to which he responded quite careingly "Yah, you too man". That's when my legs turned me around and I split in a gesture of giving the guy some space. That recording of ours turned out fairly well inspired and when we were done he was gone. I consider myself fortunate to have had this honest and pleasant encounter, especially in the light of some of the stories that have painted him a negative light. I know in my heart I met the real and gracious Jaco, and any other behavior he may have allegedly displayed publicly or otherwise may have simply been the result of a common and ironically now easily treatable condition. His body of work is a testament to his genius and hard work, and I am honored to offer this service which helps keep alive his unique and groundbreaking methodology on the bass. Enjoy!
HG Thor

In 1980 I bumped into Jaco a dozen or so times at studios and venues when I lived in Redondo Beach. At a NAMM show he invited me to spend the day with him and his wife Ingrid. He was very intense, yet totally effusive and generous as I quizzed him (he told me about Petits... showed me how he played stuff that I had worked out differently etc.). I played his bass (the doom one). The neck was loose and wobbly at the heel. One interesting thing I noticed about him was that he always walked very, very fast and held his bass in a stock Fender case at his side as though it didn't have a handle.
Skinny Bishop, AZ

I met Jaco Pastorious in 1982, when I was living in NY, but still gigging a lot with the DC version of Air Apparent at the Wharf in Alexandria, VA. I met him through drummer Steve Williams, who had played a lot with Jaco and steel drum whiz Othello Molineaux at U of Miami. Jaco's Word of Mouth Band was playing at Blues Alley, and after our gig wrapped at the Wharf, Steve, bassist Ed Howard and I rolled over to Blues Alley to catch Jaco (having played there a few times, we got comped in naturally). Jaco's WOM band consisted of trumpeter Randy Brecker (who graced me with a burp at the bar), drummer Bob Moses (who I'd met previously through ex-girlfriend Paula Bondy), saxophonist Bob Mintzer (now with Yellowjackets), Othello Molineaux on steel drums and of course, Jaco, who played his trademark Fender Jazz and an Ampeg B-15, playing Jim Hendrix (Third Stone) and whole lot of other great stuff -- Jaco was one of the few electric bassists (the late Vince Loving was another) who can really make the electric swing.
So whether they were playing Jimi tunes or straight-ahead, Jaco played completely tasteful and modern. After the gig we went to their hotel in Crystal City, VA. Jaco's brother had just gotten in a really bad motorcycle accident, so he wasn't in the best mood -- in fact, Ed mistakenly pronounced his first name with an over soft "j" and Jaco glared at him and said, "I ain't a French designer dude" -- looked like it was gonna get ugly but it didn't. Anyway, didn't really get to know Jaco, but felt like I'd met a modern day Mozart -- way ahead of his time and age!
Armen Boyajian, GA

I was playing a club, The Flying Machine, in Ft. Lauderdale back in spring 1971. As my band was finishing our sound check a guy came up to me (didn't introduce himself) to look at my factory-made '70 Fender Precision fretless which I had just recently purchased. He told me he had a fretless bass but had pulled the frets. Then my band left the club and I didn't hear the opening band do their sound check. Coming back a little early before our set, I met some people in the parking lot who were coming to see the opening act, a pickup (trio) band of local musicians. Going into the club, I went backstage and watched the opening band from behind. Now, I realize the bass player was surely Jaco although I didn't even know his name at the time. He even picked up our sax and played a solo!
Gale Barchus, Kita-ku, Kyoto, Japan

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*  "It ain't bragging if you can back it up!" -Jaco Pastorius