"In 1980 I bumped into Jaco a dozen or so times at studios and venues when I lived in Redondo Beach. At a NAMM show he invited me to spend the day with him and his wife Ingrid. He was very intense, yet totally effusive and generous as I quizzed him (he told me about Petits... showed me how he played stuff that I had worked out differently etc.). I played his bass (the doom one). The neck was loose and wobbly at the heel. One interesting thing I noticed about him was that he always walked very, very fast and held his bass in a stock Fender case at his side as though it didn't have a handle."
Skinny Bishop, AZ

"I was playing a club, The Flying Machine, in Ft. Lauderdale back in spring 1971. As my band was finishing our sound check a guy came up to me (didn't introduce himself) to look at my factory-made '70 Fender Precision fretless which I had just recently purchased. He told me he had a fretless bass but had pulled the frets. Then my band left the club and I didn't hear the opening band do their sound check. Coming back a little early before our set, I met some people in the parking lot who were coming to see the opening act, a pickup (trio) band of local musicians. Going into the club, I went backstage and watched the opening band from behind. Now, I realize the bass player was surely Jaco although I didn't even know his name at the time. He even picked up our sax and played a solo!"
Gale Barchus, Kita-ku, Kyoto, Japan

"In 1982, I had the great pleasure to meet Jaco Pastorius and his Word Of Mouth band members at a practise space in Manhattan. I was there recording with The Cerbonauts for about an hour when songwriter and lead vocalist Todd Bludeau mentioned he saw Jaco out in the hall. A bit nervous I slipped out there for a peek. There I saw the seated and sunlit orange haired head of Jaco himself (strange that the only sunbeam from the single-windowed and dusty wooden stairwell fell on him) with his mates standing around him. I approached him and said: "Hi. You're Jaco right?" (duh...) He says: "Yah man" with an big smile that beamed as bright as the light he was bathed in, and he introduced me to his band members. He said they were bone-ing up for the Blue Note gig that night. I nodded in approval while searching my brain for something to say. Then he said in a very earnest and interested way, his eyes fully alert: "So what do you play?" I humbly replied that I play guitar, with a bit of an "its nothing" inflection. Quickly changing the subject, I told him that I "really dug" his work with Weather Report and Joni etc. He simply smiled and nodded. There was one of those short awkward moments of silence when you are standing face to face with a legend where seconds are hours, my brain still refusing to come up with something intellegent, so I took that opportunity to say "Great meeting you" to which he responded quite careingly "Yah, you too man". I split in a gesture of giving the guy some space. (You may be wondering why I hadn't discussed epoxy fretless tech, but this occured at a time when I had made only one experimental epoxy converted bass, and hadn't yet considered lutherie as a business let alone assume I could offer Jaco any quality service he already had access to.) That recording of ours turned out fairly well inspired, and when we were done he and his band were gone. I consider myself fortunate to have had this honest and pleasant encounter, especially in the light of some of the stories that have painted him a negative light. I know in my heart I met the true Jaco who was kind, spirited and gracious. His body of work is a testament to his genius and hard work, and I am honored to offer this service which helps keep alive his unique and groundbreaking methodology on the bass. Enjoy!"
HG Thor